Sophocles Oedipus refutes Aristotle’s definition of a tragic hero
Sophocles Oedipus refutes Aristotle’s definition of a tragic hero:For centuries, some ancient works have passed the test of time, and the tragedy is not an exemption. As a narrative, the tragedy describes the story of a the decline of a good person via some misjudgment or critical error, leading to insight and suffering on the side of the protagonist and triggering fear and pity of the audience. Aristotle is among the key authorities on the tragedy. His form of literature, which is mainly poetics, is highly rated as among the key sources applied to define the structure of a tragedy. Every tragedy must have a tragic hero that carries the plot of the narrative. More so, the protagonist must follow specific rules in order to be regarded a tragic hero, according to Aristotle. Based on Aristotle arguments, the hero of a tragedy should not be depicted as moving from one good fortune; also, an utterly evil person should not fall from good fortune into misfortune. This means that the person should live within these extremes such that the person is neither destined for excellence and virtue, not lives in grief based on vice and baseness, but on the basis of some mistakes; a person of great prosperity and reputation, such as Thyestes and Oedipus and conspicuous individuals of such families as theirs. However, there exist diverse detrimental perceptions on his definition of a tragic hero.
…………….middle of paper………….
Sophocle’s Oedipus is a source that exemplifies Aristotle’s perception of a tragic hero. Oedipus narrative is an ancient tragedy with all elements mentioned by Aristotle. To begin with there is the part of Harmatia, where Oedipus, who is the main character, unconsciously kills his father and makes his mother his wife. Constant inquisition is what exposes Oedipus to the bitter reality. Persistent questioning turns out to be his tragic fault that causes him to unstitch the realities behind his parents and background. A scenario of peripeteia is also witnessed where Oedipus falls from greatness to shame following the revelation of an incestuous relationship. Sophocle’s play also stimulates a feeling of Catharsis as audience sympathizes with Oedipus.
Bowman, L. ‘The Curse Of Oedipus In Oedipus At Colonus.’. Department of Greek and Roman studies (2001): 15-25. Print.
Constantinides, Elizabeth, Sophocles, and Anthony Burgess. ‘Sophocles. Oedipus The King’. The Classical World 68.3 (1974): 211. Web.
Are you ready to order an essay from us ?Place your order