Literary Devices Used in the Play Much Ado About Nothing.
Literary Devices Used in the Play Much Ado About Nothing: William Shakespeare’s Much Ado About Nothing was authored four centuries ago during Queen Elizabeth 1’s reign in England.
Across the Atlantic Ocean, Britain’s first colony at Raonoke Island had vanished a few years earlier, and Britain’s first permanent colony at Jamestown had progressed significantly.
As such, in late 15th century, Britain was the only English-speaking world. The type of English used in Shakespeare’s play is what is referred to as the Elizabethan English spoken at that period in history.
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“He that hath a beard is more than a youth: and he that hath no beard is less than a man: and he that is more than a youth, is not for me. and he that is less than a man, I am not for him” (Shakespeare)
In terms of language structure used in Much Ado About Nothing, it is important to examine the lines. Shakespeare uses different structures of lines to different effects, some of which are listed in blank verse. Thus, these lines have ten syllables ordered in five pairs.
The second syllable is stronger than the first. Traditionally, a typical line depicts the weaker syllable with an ‘x’ right above it; the stronger syllable has an’/’ above it (Baldick 166). Also, key words are stronger and convey more meaning. The stressed words also tend to sum up Claudio’s conflicting viewpoints of his rejected bride.
Baldick, C. The Oxford Dictionary of Literary Terms. London: Oxford University Press,2008.
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