According to Truffaut, “there are no good or bad movies, only good and bad directors” (Sedelnik, 2011). Therefore, the director can use the commercial tool of a film the same way an author uses a pen or a painter uses the paint. The most cinematically successful films must bear the unmistakable personal stamp of the director. Every director has his own perception about various aspects of a film like blocking. Placement, scene length. Lighting, the message of the film and other aspects that are very important in the classification of a film.
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The theory is however being criticized today because a film is being considered as an intense effort of many gifted and exceptional specialists who oversee and perform every aspect of a film. Therefore, it is not advisable to identify a single person who imprints his identity in a film to leave strong mark of signature (Sedelnik, 2011).
Sedelnik, P. M. (2011). The Auteur Theory: an Historical Analysis. New York: California State University.
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