Analysis of “The Sound Of Music”
Analysis of “The Sound of Music,” which was first released in the year 1965 and directed by Robert Wise, is amongst the most classic Hollywood musicals. Magoun asserts that “The Sound of Music” has a tremendous significance in the history of films, as it was able to meet the needs of audiences globally, with its gentle entertainment that lightly maintains a balance between piety, loyalty, as well as redemptive love in one package (50).
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According to Stowe (43), there are other songs in this film that take this pseudo-existential intricacy even further. For instance, “The Lonely Goatherd” was initially delivered together with the marionette show, where it overlapped the performance, that is, the music was utilized in the show but it came with a full orchestra.
The Sound of Music is rich in the story, great music, as well as characters. The film is also filled with many constructive messages. The film has some comic aspects, which do not comprise of syrupy humor, but extremely cynical, dry lighthearted humor. A further characteristic of this film is that it has adventure where the Nazis are the eventual bad characters. “In addition, most of the songs serve the film well, frequently finding new implications as a truncated reprise as score.
Magoun, Alexander B. Shaping the Sound of Music: The Evolution of the Phonograph Record, 1877-1950. , 2000. Print.
Rodgers, Richard, Oscar Hammerstein & Howard Lindsay. The Sound of Music: The Complete Book and Lyrics of the Broadway Musical. Applause Theatre & Cinema Books, 2010. Print.
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